Gilles demarteau biography examples

  • Unlike most Parisian printmakers who worked in their father's workshop, Gilles Demarteau, born at Liège in , was the son of a master gunsmith and trained as.
  • Demarteau, the son of a Liege gunsmith, was apprenticed under the Parisian engraver De Lacollombe, who is known chiefly for his designs for firearms.
  • Gilles Demarteau was one of several master printers credited with inventing a process to translate these drawings into etchings, in order to.

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    Gilles Demarteau () after Charles Monnet (), Etudes d&#;anatomie a l&#;usage des peintres [= Anatomical studies for Painters] ([Paris]: Rue dem la Pelterie, à la cloche, _?). 42 leaves of crayon manner etchings and engravings, printed in sanguine ink. Graphic Arts Collection GAX in process

     

     

    During the 18th century, soft chalk or crayon drawings came into vogue, not as studies for paintings but as final works in themselves. Gilles Demarteau was one of several master printers credited with inventing a process to translate these drawings into etchings, in order to sell multiple copies and promote the artist’s work. The process is called crayon manner etching and to further replicate the drawings, the copper plates were printed using colored inks, especially sanguine or red. Americans will sometimes use the French words, ‘en sanguine’, to describe these prints but it simply means printed with rose colored ink.

     

    After a rich and venerated career as a pai

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    Nouveaux Ornemens D'Arquebuseries

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    Engraver Gilles DemarteauFrench

    Not on view

    Demarteau, the son of a Liege gunsmith, was apprenticed under the Parisian engraver De Lacollombe, who is known chiefly for his designs for firearms ornament. These prints, part of a set of nineteen, come from Demarteau's only pattern book devoted solely to firearms decoration. From the s onward, Demarteau established himself as one of the most successful engravers of his generation and was renowned for perfecting the technique en manière de crayon, which allowed prints to simulate the appearance and subtlety of chalk drawings.

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    Title:Nouveaux Ornemens D'Arquebuseries

    Engraver:Gilles Demarteau (French, Liège – Paris)

    Date:ca. –55

    Geography:Paris

    Culture:French, Paris

    Medium:Ink on paper

    Dimensions 1/4 x 6 3/4 in. (

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    Le Midi (No. ; after J.B. Huet)

    Title

     

    Artist

      - (biography)

    Year

     

    Technique

    Crayon manner stipple engraving and soft ground etching, printed with color 

    Image Size

    11 1/2 x 14 1/2" platemark 

    Signature

    in text, lower right 

    Edition Size

    not stated 

    Annotations

    text, within image: Le Midi / A Paris, chez Demarteau, Graveur du Roietc 

    Reference

    Demarteau  

    Paper

    heavy, antique-white laid 

    State

    published 

    Publisher

    artist 

    Inventory ID

     

    Price

    $ 

    Description

    One of the earliest "crayon manner" engravers, Demarteau is often credited with its invention. This is an excellent example of the technique, with the reddish color added to what appears to be black crayon drawing, but in fact, is all engraved. 

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  • gilles demarteau biography examples