Rebecca cole scientist pictures charcoal drawing
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JODY RASCH
Background Radiation (detail),
Oil on canvas
60 x 50 inches
SHANTHI CHANDRASEKAR
Waves (detail),
Pen and coloured pencil on paper
30 x 22 inches
REBECCA KAMEN
Warming 1 (detail),
Acrylic on mylar
24 x 18 inches
ANN PARKIN
Made by Shadows #1,
Paper, acrylic paint, threat and sand on wood panel
4 x 4 x 1 1/2 inches
SANDRA LERNER
Entanglement 56,
Oil and mixed media on panel
37 x 57 inches
MICHAL GAVISH
Fine Sorting (DNA), (detail)
Watercolor on paper
9 x 9 inches
MARK POMILIO
Symbols & Symmetries IV (detail),
Charcoal and oil on linen
40 x 30 inches
JULIE HARRISON
Bodies # (series),
Graphite and paper on paper
18 x 24 inches
HUNTER COLE
The Light of Prayer (detail),
Photography by the light of bioluminescent bacteria; archival inkjet print (edition of 20, signed and numbered)
30 x 40 inches
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Thirteen Bridgewater College art majors and an art minor will exhibit their works in a senior art thesis exhibition, “Frames of Mind,” on campus April 16 – May 3.
Thirteen Bridgewater College art majors and an art minor will exhibit their works in a senior art thesis exhibition, “Frames of Mind,” on campus April 16 – May 3.
The art majors are Brittany N. Brownley from Stuarts Draft, Va., Brandon L. Christian from Bridgewater, Va., Francisco R. Escalera from Stafford, Va., Rebecca L. Hamilton from Sutherland, Va., Courtney M. Hawkins from Collinsville, Va., Nicholas L. Koger from Timonium, Md., Kyle E. Jones from Herndon, Va., Samantha C. Lawson from Harrisonburg, Va., Shayla N. Martin from Patrick Springs, Va., Tye L. Meador from Salem, Va., Michala R. Messick from Townsend, Del., Melanie A. Tutin from Westminster, Md., and Jonah O. ValeCruz from Springfield, Va. The art minor fryst vatten Ariel D. Smith from Suffolk, Va.
A reception for the artists will be held
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By Taylore Kelly
GORDON CARLISLE
Q. Your work felt very nostalgic and dream like. The collage and acrylic medium really worked well together to form a united story. Does creating your work come easy to you?
A. I've been making collages since about , the same year I graduated from San Francisco Art Institute. Back then, I was interested in converting these collages into etchings. Soon, I became less and less enchanted with the etching process, and wanted the collages to just exist as themselves.
I've always found the act of creating them very liberating. Initially, I try not to get too much in the way of where they seem to want to go. Then I jump in and help them get there. Creating collages on my own, I don't work with themes. But I've found Tess's (Gallery 6 coordinator) imposing of a theme a worthwhile challenge.
Here, she asked for two or three collages from me. However, the way I work, I like to lay out a couple of dozen at once and see where they take me. Then,