Veronique branquinho collections catalog
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Veronique Branquinho &#; Men&#;s collection Fall Winter
Veronique Branquinho &#; Men&#;s collection autumn winter
Veronique Branquinho looks upon men&#;s fashion as a selection of indispensable evergreens worn by realistic men, rather than focusing on idols, muses or remote stars. Due to her subtle approach to men’s wear, the Teatro Goldoni enables her to stage an alternative event which presents the collection to it&#;s full potential. Not professional models, but “real life” men do show the performance.
Together wit contemporary dance choreographer Sam Louwyck, she created a scene, set in an alienating atmosphere, inspired by &#;the red room&#; from David Lynch&#;s Twin Peaks, with typical red floor and red curtains.
For Autumn-Winter &#;&#;05 she shows brown tuxedos, tuxedos refined by subtle detailing such as contrasting collars in burgundy or brown satin. Moreover she combines these details in perfect harmony with more casual garments: turtleneck jerseys worn under ceremo
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A Magazine curated by
Veronique Branquinho
Skip NavigationGraduated in from the renowned fashion department of the Antwerp Academy, Veronique Branquinho presents collections under her own name in Paris since Today, besides a women’s collection, her label also includes a men’s collection, and a shoe collection.
In the late s, Veronique Branquinho took the international scene by storm with a very personal take on femininity and elegance, her signature strongly influenced by the complexity of the female character. Underpinned by subtle references to film, music and art, her fashion offers an alternative to the big luxury brands. Her collections are favoured by men and women who appreciate high quality clothes with a traditional finishing, in superior fabrics.
The theme of female duality, the transition from girl to woman, the ambiguous mystery of the awakening eroticism, takes centre stage in Veronique Branquinho’s oeuvre. Her work is dominated by the perpetual movement betw
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With this collection, Veronique Branquinho offered many lingering points. Some people may linger on the amplified kostym pants, for instance; others on the sparkle tops. For some, the vit tights may be what lingers most. But to linger in broader terms does the most justice to this designer, who noted how this årstid began bygd reflecting on her “old love of tailoring as [shaped] bygd the luggage of time.” That gods part could be the stuff of great novels, if not great clothes. It was clear, in any case, that pursuing new wasn’t as important to Branquinho as resisting classic. Beyond the shorts; overalls, boxy coats that revealed themselves to be capes; and a floor-sweeping shirtdress, her Prince of Wales belted coveralls enhanced with smocked sleeves and worn over a ruffle collar blouse felt unlike anything she had done before. How’s that for an update on working class.
The situation turned jazzy “tongue and cheek” in Branquinho’s words when Swarovski-crystal-patterned illusion tops