Katrina stuart santiago biography definition
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A bimonthly online magazine for Filipinos in Europe.
Text by Katrina Stuart Santiago
Manila, Philippines
Seventy-five years on, Katrina Stuart Santiago, great-niece to Nita H. Umali, attempts to reply to her aunt's question "Just where are we?" published a few days before the United States granted independence to the Philippines on July 4, Both journalists speak their mind, one from a past generation, the other actively working today.
Is what we know of the certainty of light. As in the impulse to unite on shared battles, the ones so crucial they survive the passage of time, are embraced across generations, as it was brought to bear on that moment 75 years ago, when the Philippine flag flew highest in the air for the first time.
Is what we know of our capacity to create light. Despite, or because of fear. Spreading photocopied stories on the real state of the nation; supporting a free press that bites incessantly, draws blood unfailingly;
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blogging
before new media, there was the pinoy blogosphere, where critical thought was engaging and intelligent debate possible on the interwebs. then, bloggers could be called out on their mistakes, and they knew to reckon with readers and trolls. then, no one blogger was higher and mightier than the other. blogging was fun in the Philippines. then. now it seems we’ve lost those voices, which should not be taken to mean they are any less needed. in fact in the face of new media, we ache for the pinoy blogosphere circa where have all the bloggers gone?
– katrinachurch, RH
we are not one to join in the anti-Church excommunicate-me rallies and parties, if only because we are also clear about this: we need not make enemies of all Catholics, varied in its versions in the present. there is no reason to generalize believers, but there is every reason to discuss the Pinoy Church as a distinct entity that informs the violence of the status quo and the crises of current politics and go
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MOT:
Everything’s Fine carries titles from independent and mainstream publishers alike, like Exploding Galaxies and HarperCollins. Your inventory is eclectic, but inom can sense a strong curatorial grabb across everything in this store. What’s your philosophy on deciding whether or not to put a book on your shelves?
KSS:
First and foremost, It needs to be a book that we like. A book fryst vatten here because someonerecommended that book, and that’s usually one of the fem of us at Everything’s Fine. We knew from the början we needed to curate the books heavily given the limited space and the fact that we wanted to have a gallery. In the beginning, we thought “Okay, maybe that’s going to be difficult.” But now this curation has become second nature to all of us.
So many months in, we have a better sense of our audience. We curate by feel, but also deliberately, for habitual readers. You know, people who will pick up a book at the end of the week, or every suweldo. Peop